Friday, June 18, 2010

reminders for on-location sketching

tanyard luck
You may remember me describing last week how this drawing at Pleasant Hill was a struggle to make. I felt early on that it would never see the light of day as the composition was simply not coming together. But, in an effort not to give up too soon [something I'm tempted to do all too often these days], I forced myself to keep going and see what I could learn from completing it. Here's the notes I took as I drew. I think they'll help me in the future and hope you find them valuable as well.

Things I learned (or at least was reminded of) while completing this sketch:
  • avoid drawing spaces/places without a lot of detail too large on the page: too much negative space leads to a boring viewpoint
  • avoid trying to add watercolor to a big drawing with a teeny-tiny brush
  • let your watercolor strokes follow the path of the material you're rendering: in this case, because the brick is horizontal, my strokes would look better that way too
  • look for ways to 'frame in' drawings for added dimension (i.e. tree branches)
  • balance green, green grass with bits of red: here I mixed red and green paint together for the shadowed areas
  • scale figures are ALWAYS helpful...too bad I'm missing them here
  • brick is not typically red: be suspicious of any paint, marker, or pencil labeled 'brick red'
  • always have a paper towel handy for blotting up potential watercolor mistakes
  • pick a direction of light, even if there isn't one : it will help convey three-dimensionality
  • if all else fails, count on the lucky four-leaf-clover your godmother just picked up for you
Have questions about any of this? Please leave a comment and I'm happy to clarify.

6 comments:

Laure Ferlita said...

Have to say I'm partial to the paper towel for potential mistakes and pick a light direction whether there is one or not, but all of these are excellent reminders!

Karen Sandstrom said...

Great list, Suzanne. Especially the scale-figure thing, which I tend to forget.
I want to add one thing to your list, in a general sense: Remember that a disappointing drawing doesn't have to make a disappointing sketchbook page. Your page here, for instance, becomes more interesting with that four-leaf clover.
But the addition of other things-- tiny doodles or drawings around the page, words, whatnot -- can turn almost any Uh-Oh Page into a Well, OK! Page. And believe me, I make frequent use of that trick.

blogaloorgirl said...

thank you for the very helpful tips Suzanne.

K said...

love the "be suspicious of any color named brick red" and my personal favorite is to rely on the 4 leaf clover idea. Glad you are sketching more again!

Unknown said...

Excellent tips, Suzanne! I keep relearning the lesson of not using too small of a brush! There are many others in this list which I hadn't considered before, so I'm taking notes here!

PS You asked if I preferred drawing men with mustaches now. I do, but I like drawing any face that has some uniqueness. It's the ones that look 'normal' that I have a difficult time getting a likeness! Thanks for your comment. I so enjoy your work!

Cindy said...

you forgot - bring suzanne because she'll do it better!